Data Analysis_Critical Reflection – Coding Memo_024 27 May 2020. Aaron - Phase 2. Generating initial codes


Data analysis_Critical Reflection_Coding Memo_024- Aaron - Phase 2
Process and flow of coding ideas:

Phase 2: Generating initial codes
Dragging and dropping verbatim extracts into slides and considering potential initial codes. Initial codes considered today:

Discerning temperament
Discerning support
Industrial process as a tool for uniqueness
Capturing time
Familiarity shown in a new light
Active listening is important and a focus
Enjoyment of the senses
Being overwhelmed by expectations
Silence is overwhelming
The shock of scale
Dramatic events cause reflection
Knowing without seeing
Experimentation and new possibilities
Practice representing sight loss
Only certain people understand
Maintaining independence and style of practice, whilst being supported
Eidetic memories are comfortable and efficient
Problems with materials
Making the most of opportunity
Formality does not celebrate or encourage uniqueness
Audio noise levels cause demise
Personal experience of sight loss
Lack of education leads to disrespect
Art galleries do not create respect for sonic tactile pieces
Sight loss as a disadvantage in practice
Security and familiarity of love
Preserving stories and love through practices
Sonic sound is live and current – animating locked and stuck objects or events
Multi-sensory overload
Transcending adversity through practice
Multi-sensory overload can be managed with good staging
Sight loss requires preparation
Celebrating the flaws
Practice revealing sight loss
Sight loss removes independence of practice
Support and assistance
Not seeing the whole
Unawareness and disrespect
Artists not being trained to listen
Interactive sonic landscapes
Art representing sound
Uniqueness
The exotic becoming familiar
Comprehending scale without sight
New experiences shattering expectations
Exotic nature overwhelmingly sublime
Navigation methods
Methods of practice
Weight as integrity
Sight loss as a disadvantage for writing
Restrained dance training removes uniqueness
Drilled robotic people are identical
Unique individuals are easily spotted by gait
Identification of things by gait
Non verbal communication
Understanding nuance without sight
Discernment of surroundings with active listening
Comprehension of disposition and gait
Deliberately different
Sonic practice
Tactile engagement is uncommon in art
Comprehension of imagery without sight
Children are unrestrained
Unrestrained non-robotic, natural practice allows for happy accidents
Not knowing but sensing a pattern
Mystery of light  as a mesmerising focus
General comprehension vs studied focus
Gait vs detail
Repetition and active looking encourages love and familiarity
Sonic dialogue
Future possibilities
Objects telling a story
Illumination and light as a mystical magical experience
The catharsis of personal stories captured in practice
Social objects reminiscent of connection








































































































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