Phase 3: Searching for themes. "Phase 3 begins when all data have been initially coded and collated. This phase re-focuses the analysis at the border level of themes, rather than codes, involves sorting the different codes into potential themes, and collating all the relevant coded data extracts within the identified themes. Essentially, you are starting to analyse your codes and consider how different codes may combine to form an overarching theme." Braun, V., Clarke V. Using thematic analysis in psychology. Qualitiative research in psychology 2006 Jan 1;3(2):77-101 Initial codes below, collated from memos. The next step will be to start collating these codes into potential sub-themes
Appointment being arranged beginning of July 2019 with Dr Hannah Thompson https://pure.royalholloway.ac.uk/portal/en/persons/hannah-thompson(267bcd37-e882-4fdb-b2c9-6dcddea88044).html , found through Dr Alison Eardley Research includes: Blind Creations Conference http://blindcreations.blogspot.com/ Exploring the relationship between blind people and artistic creation Disabilities Quaterly http://dsq-sds.org/issue/view/160 Blind Spot blog https://hannah-thompson.blogspot.com/ looks at blindness in history, art, literature film Multi-sensory Museum https://www.researchgate.net/profile/Hannah_Thompson45
The Enchanted Drawing - Blackton 1900 Early example of lighting sketches and stop-action substitution.... "The technical basis of the trick is the stop-action substitution effect. During shooting, the camera was stopped while an assistant tore away the top sheet of paper to reveal the next drawing underneath...Drawn objects (a bottle of wine, a cigar) disappeared from the sheet and were replaced by real objects held in the same position. Then the camera was restarted and an instantaneous transformation would be produced during projection." (Solomon, 1987) Solomon, C. (1987) The art of the animated image : an anthology . Los Angeles, Calif.: Los Angeles, Calif. : American Film Institute.
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