Data analysis_Critical Reflection_Coding Memo_030 (20a) - Aaron - Phase 2. Generating initial codes

Process and flow of coding ideas:

Phase 2: Generating initial codes

Revisiting the verbatim coded extracts and codes. First round of codes were too scant (in brackets) and did not stand alone. Revisited and re-coded (in orange) to now include context and expand understanding or intention that will lead to the creation of cohesive sub-themes in later phases of reflexive thematic analysis.

(Sonic)

Sonic art is created as a deliberate choice rather than a result of sight loss

Trees can be identified by their sound

Seasons sound different due to leaf quantity

Leaves on trees have subtle sonic differences

Few professions include or require training of listening; in general people do not listen

Navigation of the landscape is possible by listening and identifying sound

Art and design places more importance on the visual – rather than other senses

Classical architecture encourages creative expression

Sonic interactive objects are designed to encourage focus and contemplation

Background noise is a distraction and an interference when it comes to listening to music

Interactive art inanimate. The responsibility is on the observer to interact and reflect

Artwork can represent senses other than the visual

Concert halls are designed for the purpose of listening; they are preferred as a dedicated space for listening –

To be continued….