Process and flow of coding ideas:
Began by scanning the verbatim extracts identified in coding
memo 003 and dragged and dropped into the cognitive thought slide. Moved onto
latent codes and resumed transcript at approx. 08:00 minutes in. Awareness of
senses of scale, vertiginous height in bright contrast areas could imply
safety, and travelling whilst drawing on the escalator into the dark abyss is
dangerous. Where dangerous or not in bright light, there is safety in drawing
from memory. Considering verbatim extracts that imply independence, confidence
or lack of and being unobtrusive. Protection in a herded commuter crowd – as a
lone person not going with the flow causes delay to the group. Colour coded
verbatim extracts in the scale, light, dark, height category in bright orange,
in reference to the Glasgow clockwork orange colours used. Pale pink for fears
in the confidence, independence and unobtrusive category. Running the audio
against the transcript and amending any errors. Considering extracts that
reflect upon confidence, independence and not being visible and possible
identification with those who are tired, crumpled and disintegrating in a
rushing commuter crowd. Also beginning to extract verbatim transcript which
relates to how sight loss informs practice.
Initial latent codes identified today:
Bright contrast and virtiginous height allows security and
safety. Dark and a sense of the abyss requires drawing from memory
Drawing from memory once safe and secure
Close proximity of others inhibits creative practice
Scale and safety inspire confidence in creativity
Large scale works are challenging but are also nostalgic
Being visible is not being discreet
Protection in a herded group – a lone person who doesn’t
know the rules causes delay
Not being visible, being anonymous and a lack of
self-consciousness helps with confident drawing
Eye-contact inhibits creativity and is uncomfortable
Interested and inquisitive people hamper privacy and
creativity
Close proximity of others and inquisitive questions stifle
creative practice
Communication is not always verbal
Preliminary semantic codes considered today:
Sight-loss informs drawing practice by paring down to
essentials
High contrast materials and colours are preferred
Violet hues faded first.
Internal visual maps are utilised for navigation –
applicable to sighted and non-sighted people
Losing sight-loss is a creative advantage
Striving for independence is necessary to adapt
To be continued…
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